Does Buntin effectively support his thesis in LA Noir? Which Means of Persuasion does he employ the most strategically throughout his text
Does Buntin effectively support his thesis in LA Noir? Which Means of Persuasion does he employ the most strategically throughout his text in support of this thesis? How does the text answer the question of whether Los Angeles, Our Lady the Queen of Angels, is the dark angel, or whether we simply bring our own darkness to her?
You may also cite from the Douglas Henry Daniels “Los Angeles toot” essay as evidence to demonstrate any bias, over-simplifications, or other logical fallacies in Buntin’s text. As we know, historical narrative is often shaped by an author’s preset notions and their argument; what else could Buntin have included to provide a wider perspective and still support his argument?
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